Thursday 24 June 2021

Lost

 



 

Those greened South Yorkshire hills,

fringed by mock period homes,

flags flying to advertise their wares,

while emptied stares,

gaze

at the littered railway tracks

remembering,

work stained faces,

the walk home to pie and mash,

pints and turns on a Saturday night;

no need for reality TV.

The despoiled hub of steel and coal,

an engineered trap,

snared by Poundland, Primark, Matalan

and Boothes, 

buyers of all good scrap.

 

Bernadette Oldfield

 

Monday 3 May 2021

A Welcome Back

 


 Voices in the Coalshed want to know what you look forward to seeing at the Mining museum, as it gradually opens up parts of the site to visitors later this month.

 

Will Champagne corks pop?

Fireworks fly?

Flags wave?

Well…not quite!

Difficult to sip champagne through a mask.

But, it’s a WELCOME BACK anyway.

A brilliant day out in prospect.

And though there's no bubbly, there can be bubbles.

So tell us in a word or two what you want to see in this celebratory “bubble”




All your bubbles will float on Sunday May 30th!


 

 voicesinthecoalshed@gmail.com

 

Dave Alton

(Writer in Residence – National Coal Mining Museum)

Sunday 25 April 2021

8 Voices Speaking From Agbrigg

 


 


My Wife Knitting by Norman Cornish

 

 

She is always one step ahead of me.

All I can do is dig out coal, ride the paddy mail to the showers,

take home a brown envelope, eat my tea.

 

She knits the bones of our family together,

stitches our wounds, tacks the seam of every day

with deep knowledge of the shape our lives should be.

 

Angular as a gallery of half-drilled coal; soft as talc.

Strong as a wooden prop; vulnerable as an apprentice.

Stoical as a pit pony; mysterious as hidden gas.

 

Her crows’ feet are not white estuaries in black lands.

No speck of coal dust on her.

But I know it stains her soul.

 

I paint her as I see her. Her hands never still.

She creates the tapestry we live within.

She is my place of safety. My rock.

 

Sharyn Owen

 

 

 

The Hand

 

 

The hand that winds the wool round the needle’s shaft,

Wrings black coal dust from mangled shirts in steaming sculleries,

Pegging them out to bleach beneath a canary sun.

 

The hand that works the stitches one by one,

Knits up the coughing nightmares in stoical silence,

Trapping dark fears like bread in a snap tin.

 

The hand that holds the knitting on her lap,

Props up the mine with every twist of her wrist,

Every meal on the table, every scrub of the step.

 

The brush that paints the hand that holds the miner,

Freezes forever a bitter-sweet memory of shared toils,

When in suffocating darkness, there was always a lamp.

 

Larraine Harrison

 

 

 

 Closely Knit

 

Click. Click. Click. His eyelids drooped. A result of hypnotic tapping and the mesmerising flames. He marvelled at the concentration on his wife’s face. He pushed his chair back a foot, away from the sweltering heat. His clumsy, blackened hands knew nothing of knitting, but he knew a lot about coal.  He ripped the stuff out of the ground, he and his team.

Digging. Like a colony of ants excavating, or moles burrowing, large mounds above them a testament to their labours. The dust got everywhere. In the sandwiches, up their noses, in the lungs. It’s in the blood. No amount of steamy water and gritty carbolic would wash it away.

He would be down there tomorrow. He could feel the drop of the cage. He never got used to the fall. Wind down. Wind up. Repeat. Wind down. Wind up. Repeat.

 

Lyn Graham

 

 

 

 Hardworking Women

 

I married into a mining family. My husband worked at the pit as did his three brothers, his dad, both grandads, two great grandads and a great, great grandad.

 

Miners provided their own clothes and the women washed them at home.  Later the NCB did provide workwear and they laundered the outer clothes but the underwear and socks were still washed at home.  I don’t miss that!

 

Depending on how many menfolk you had at the pit, women could be making a dinner two or three times a day, according to their shifts.

 

Mining was not a well-paid job and women were inventive.  For example, rugs could be made from old clothes.  My husband’s aunty used to get old jumpers and unravel them.  She would then knit them into thick, warm pit socks.

 

Many women were as supportive as pit props.

 

Lesley Moore

 

 

Much Loved

 

 

I married a miner from Spennymoor.

He broke himself hacking out the black stuff.

He took a risk and became a painter.

Pictures,

not walls.

 

He told me to sit still

pretending to knit.

I have a crick in my neck.

My fingers twitch.

 

Lowry advised him to paint what he knew.

He filled notebooks with details of beer glasses,

straight pints of Newcastle Brown

that swept out the dust cancers of the mine.

Sort of.

He sketched the men with bent backs and coughing lungs

slaking their throats, hunched over mahogany bars.

 

Now it is my turn.

He loves me well,

hunched over my hands

pretending to knit.

Fidgeting.

Full known, rounded.

Hair set just how I like it.

No stick women here.

 

Viv Longley

 

 

 The Knitter

 

 

She sits there, knitting all her love and fears for her man into some article of clothing. Maybe it’s a thick undervest or perhaps something he can wear with pride at weekends when they are reunited above the surface.

She’s bent over the garment not in submission but in pride, as the comfort-giver and provider for the family. She’s his steady rock in the stormy sea imagined in the background.

That’s the burden she has to bear, trying to keep calm and clearheaded both for his sake and for the bairns' sake. They’ll need her even more if anything happens to him.

Maybe she symbolizes all the pit wives, bearing on her shoulders the fragile lives of their husbands and sons down the pit.

Or just thinking about the joy her task will bring to its wearer. In turn he is expressing his love and admiration for her.

 

John Seacome

 

 

 Sarah, Knitting

 

I hate it when he’s on nights, ever since the lads woke me up regarding the accident… knitting’s a great way of filtering the mind but it doesn’t remove the dread. My risk thermostat works overtime...

The belt swung! Hit him on the temple! Hospitalised, unconscious!

Left me feeling fragile...Left him an indigo tattoo he calls his trophy.

He’s into trophies!...

 

If I cast on this sleeve now, he can wear this cardigan on Saturday at the Miner’s Welfare harvest do...

 

Meanwhile, above the shaft, free of insidious black, his first call is   breathing the sweet air of the allotment, where he administers to my rival.

I badger him about it being the kids, dog, and that bloody marrow, coming before me. He just winks! A man of deeds not many words!

 

However, when we trundle home on Saturday, 1st Prize glowing in the wheelbarrow.......

 

My heart will sing like a canary.

 

June Hurst

 

 A Child’s Dream

 

 

What did you do down the mine Great Grandad?

    Harvested the jungle, the Carboniferous.

Hot down there was it?

    Aye, tropical.

Why did it die?

    Climate change they say.

Same today. They told us in school.

Should we worry?

 

    Nay, it’s geological, climatological.

    Don’t waste time, it’d be illogical.

    It’s just natural decay, and as your Granny would say:

   ‘Patterns of life

    Spun and woven

    Torn and stitched

    Frayed and holey.’

    Ask her, she’ll tell you how it is and was.

 

TISWAS! She told me about that too.

Today Is Saturday: Watch And Smile

Said she watched it from ‘74 when it started

And re-runs in the strike in ‘84 to steel her resolve.

Said everything’s just natural decay in the end.

 

    Some smart cookie your Granny.

    Champion knitter to boot.

Chip off the old block eh, wouldn’t you say Great Grandad?

   Nay, I really couldn’t say...could I?

 

 

Martyn Harrison

Saturday 17 April 2021

National Haiku Day at the Mining Museum

 


April celebrates National Haiku Day. What is a haiku? It is a single verse of three short unrhymed lines, like this:

Just five syllables

A longer line of seven

And then back to five


On behalf of Voices in the Coalshed here is my haiku inspired by the picture above.

 

Atmosphere heated

The dust has not settled yet

Three miners snapping

 

Here are two more haiku responses to the picture.

 

A rare moment’s rest

Together in our darkness

Waiting for the light

 

                                                Liz Renshaw

 

Snaptime! What’s tha’ got?

Bread and jam, bit a fruit cake

Mucky fat for me

 

                                                 Julia Chalkley

 

 

Dave Alton

Writer in Residence

National Coal Mining Museum of England

Friday 26 February 2021

A Bouquet of Valentine Roses

 



 


(For the National Coal Mining Museum)

 

With the museum closed for the moment

It might seem there’s no light in the mine,

When, into the gloom, steps Saint Valentine

With a bouquet of roses to be sent.

For whom? For where? The miners’ lamp maybe,

For its glimmer of hope. But then there is

The crystal-bright singing of the canaries;

Or, perhaps, coalmining community

Could be marked in Parkinson’s Yard. Come rain,

Shine or Covid, horse-keepers understood

The needs of Fynn, Eric, Ernie and Bud.

A bouquet for colleagues ‘til we meet again?

And the penny counters deserve a spray

Of roses on Caphouse Valentine’s Day.

 

                                                                                                            D. A.

 

This sonnet is composed from lines supplied by staff and volunteers of the National Coal Mining Museum.

Thursday 4 February 2021

A Bouquet of Valentine Roses

 




A Bouquet of Valentine Roses

 

In January, Voices in the Coalshed celebrated hope by composing a poem by drawing on over 20 contributions.

For February, LOVE is the theme, but it’s love for something, rather than someone.

It could be love for an object, a role, an experience, a coming event, or whatever YOU would present A Bouquet of Valentine Roses to at the National Coal Mining Museum.

Appropriately, considering the theme, my aim is to compose a sonnet from suggestions received.

Please complete the following sentence:


I would give A Bouquet of Valentine Roses to…………………………….., because………………………………………..


Please send to:

voicesinthecoalshed@gmail.com


I look forward to reading what you send and using your words for this month’s video poem.

 

Dave Alton

Writer in Residence

National Coal Mining Museum

Friday 29 January 2021

New Hope - New Year

 




 Tomorrow is ten months ago and more,

When the pit wheel turns again. Searching for

A rich seam of new days from which to hew

The future from, new things to see and do.

Just to have visitors back, volunteers

And guides; learning and laughter is this year’s

Kibble of hope, with life bringing life

To the mine, the miner, the miner’s wife.

Looking forwards, of course, to Gala Day,

When the banners parade and brass bands play

As lockdown’s unlocked, it’s time to engage

Traditional values, mining heritage.

Museum open with smiling faces,

Finding New Hope in amazing places,

Full team back behind the scenes, then

Start and share experiences again.

Back to normality, the old and new;

People are why we do what we do.

Create exciting digital projects,

Virtual engagement, special effects,

Artefacts and local artists’ display,

Sight and sound of a very welcome day.

Re-connect, inform, surprise, even shock,

Open by Easter? Let visitors flock!

Able to build, when that moment arrives,

Everything in all areas of our lives.

There’s roles to play, the museum’s not gone;

This our New Hope for twenty twenty one.


                                                  Dave Alton

Hear this poem and see the images at:

https://www.youtube.com/watch?v=2eU4iMrDSpM&ab_channel=NationalCoalMiningMuseumforEngland 

 

 

Friday 8 January 2021

A Token for Kellingley

 



 

Janus at the turn of the year,

Looking forwards, glancing back,

Unblinking hindsight clearly sees

Into nostalgia’s mystique.

 

For a moment, haze of time passed clears,

Then memories are proposed,

“I remember, come December,

The day when Kellingley closed…”

 

‘End of a life I’d grown up with,

A sad day, how is this right?

Down to people like me to pass

Memories so nothing’s lost.

 

The coal industry couldn’t survive,

End of an era!  Living

Industrial vandalism,

Without NCM, nothing.’

 

The last shaft has been five years sealed,

And though the winding gear’s gone,

Janus looks to the future as

The big wheel of time turns on.

 

Dave Alton

 

(Stanzas 3 and 4 are composed entirely from memories and reflections contributed by: Sharon Healy, Steven Mears, Elizabeth Orchard and John Tyson)